![]() ![]() The band blazed a humid trail of triumphs and broken dreams, punctuated by soul-baring anthems like “Hate My Way” (from their eponymous 1986 debut), House Tornado’s episodic “Walking in the Dark,” Red Heaven’s slow-building gem “Pearl,” and, in 1995, the yearningly sweet, critically lauded but commercially doomed University, their last album to be distributed in the U.S. That energy fueled a string of explosive albums by Throwing Muses, the defiantly eclectic indie-rock band Hersh cofounded with her stepsister Tanya Donelly when the two were still in high school in Newport, Rhode Island. It’s a spiritually and biologically sound endeavor-it’s healthy.” But now that it’s happened to me, I know that music is as close to religion as I’ll ever get. Do you want your face grabbed and shouted at? Probably not at the very least, it’s irritating. Instead of singing to me, they screamed, burrowing into my brain as electricity. “Eventually the songs no longer tapped me on the shoulder,” she wrote. After a car struck her while she was riding a bike, the trauma literally flipped a switch in her head, and the music kept coming, to the point where she felt less like a budding songwriter and more like a constantly live wire, unable to shut down the current that possessed her. As she recounts in her memoir Rat Girl, it all started after she sustained a double concussion in a childhood accident. Kristin Hersh might agree, if only to a certain extent, because for most of her life, the songs haven’t simply brewed-they’ve churned, cascaded, and crashed like an unrelenting flood of pictures, sounds, memories, and emotions. ![]() They usually brew for a while, and you learn it’s important to keep the pieces until they’re completely formed and glued together.” None other than Bob Dylan once said about songwriting: “Songs don’t just come to me.
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